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The Empire Cinema, Leicester Square, London 25th - 29th August 2011
We love it - BBC Radio 5 Live
It's so good it's scary - The Guardian
“The Woodstock of Gore” Guillermo del Toro
GORE IN THE STORE
REVIEWS BY FANS FOR FANS
5 STAR FAB - 1 STAR RUBBISH
Chain Letter
Freight
The Door
Warlock
Rubber
Prowl
The Man Who Fell To Earth
My Soul To Take
The Lost Skeleton Returns Again
The Last Lovecraft:
Relic of Cthulhu
Blood Cabin
Caged
The Gathering
Patrol Men
Finale
Sharktopus
Stonehenge Apocalypse
We Are What We Are
Skyline
Beadways
Age Of The Dragons
Husk
Jackass 3D
Let Me In
Let Me In - second opinion
Altitude
Savage
Saw3D
The Last Victim
And Soon The Darkness
The Lost Skeleton of Cadavra
Bedevilled
Travellers
Game Of Death
I Survived BTK
Primal
Lovecraft
Fear Of The Unknown
The Living AndThe Dead
RED
Buried
Missing
Ticking Clock
The Lovers Guide - 3D
The Shock Labyrinth 3D
Deadfall
Bamboo BladeSeries 1, Part 2
Lake Mungo
Lemmy
Amer
In Their Sleep
Open Door
Zombie Town
The Hole
Outcast
Outcast(Second Opinion)
Choose
Resident Evil: Afterlife
Mirrors 2
Deadly Crossing
Death Race 2
The Last Exorcism
Gore In The Store
Review Archive
Optimistically billing itself as the British TAKEN, this underwhelming Leeds-set underworld saga is really just TAKEN minus the fun, pace and charismatic leading man. It’s no coincidence that a self consciously gritty “issues”-laden action movie with three of the stars from last year’s lamentable lo-fi Brit vampire movie DEAD CERT turned out like an extended late night episode of “Eastenders”, complete with that show’s Billy Murray as the protagonist. Murray, whose one-note, wooden performance torpedoes the audience involvement right off the bat, stretches his range in a bold casting choice as an ex-East End gangster-turned-Yorkshire businessman. Now a family man with a pretty daughter (Laura Aikman) about to get married to the film’s token Sympathetic Foreigner, he winds up resuming some of his old ways when an Eastern European human-trafficking ring makes its presence felt. Aikman is abducted looks destined to become the latest bit of exploited crumpet at one of the sex clubs overseen by Romanian mob boss Danny Midwinter. Murray teams up with her fiancée and gym owner pal Craig Fairbrass to get her back. Writer-director St Paul’s po-faced, leaden-footed movie purports to be a serious indictment of its grim subject matter while striving to deliver the DVD goods for the lads mag market. Brutish cage fights, strip club nudity, spade throat slashings and low-budget explosions unspool in an under-powered fashion before the coda hits us with statistics to make us feel guilty about the fact that This Is Really Going On Out There. Too bad its good intentions drown in a sea of awful dialogue designed to rile up your average xenophobic tabloid reader (typical lines even start with “They take our jobs…”). The level of depth inherent in the depiction of Murray’s vengeance-seeking character is reflected by the throwaway line “What good are the police? I don’t need a crime number!”. It is possible to make a worthy and enjoyable exploitation movie about unpleasant real subjects, but this movie’s sincerity is doomed by Midwinter’s cackling, boo-hiss panto Romanian villain and by the fact that Craig Fairbrass, as a baseball-bat wielding big hearted thug, plays the same character Craig Fairbrass has played for at least three decades. Kudos to the actor for keeping a straight face while delivering the line “In this situation the next 48 hours are crucial…” right after Murray’s daughter has been captured. Steven West. |
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FREIGHT
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