streetrw wrote:This was good. Really good. Best thriller I've seen in a very long time. A sort of cross between Octane and the Kurt Russell movie Breakdown: sodium and fluoro lights give it a very effective look, and they've not only acknowledged the existence of the mobile phone, they've incorporated it into the plot all the way through. Film of the weekend.
AliceCooperFan wrote: I wish I’d have asked my question (I get a bit shy at these things), how did they get the shot where the camera pulled back from the car windscreen and went under the truck?
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