slyboy wrote:Woops I posted that toooo many times. I kept getting an error message
slyboy wrote:Oh French lady loved this rather boring, not very scary, generally bad acted film. It takes more than a Walkman and some crappy music to give the 80's vibe. I had a big problem with this as it is an 80's retro film that thematcally is a more 70's film. I think it should have been set 5 years earlier then it would have been more cohesive retroly (if that is a word) speaking.
streetrw wrote:slyboy wrote:Oh French lady loved this rather boring, not very scary, generally bad acted film. It takes more than a Walkman and some crappy music to give the 80's vibe. I had a big problem with this as it is an 80's retro film that thematcally is a more 70's film. I think it should have been set 5 years earlier then it would have been more cohesive retroly (if that is a word) speaking.
But it did have that 70s/80s vibe (I guessed at late 70s/early 80s but I'm not sure if there was a definite date indicated). It looked, sounded and felt precisely like an old horror movie from that period in exactly the way that, say, Death Proof didn't. If Death Proof had been a genuine grindhouse movie it would have been half as long, and would have looked like grainy 16mm rather than the full sumptuous Scope look. Every detail of Ti West's film feels entirely authentic - right down to putting the copyright date in the opening credits, the hair, the lack of frenzied editing.
streetrw wrote:slyboy wrote:Oh French lady loved this rather boring, not very scary, generally bad acted film. It takes more than a Walkman and some crappy music to give the 80's vibe. I had a big problem with this as it is an 80's retro film that thematcally is a more 70's film. I think it should have been set 5 years earlier then it would have been more cohesive retroly (if that is a word) speaking.
But it did have that 70s/80s vibe (I guessed at late 70s/early 80s but I'm not sure if there was a definite date indicated). It looked, sounded and felt precisely like an old horror movie from that period in exactly the way that, say, Death Proof didn't. If Death Proof had been a genuine grindhouse movie it would have been half as long, and would have looked like grainy 16mm rather than the full sumptuous Scope look. Every detail of Ti West's film feels entirely authentic - right down to putting the copyright date in the opening credits, the hair, the lack of frenzied editing.
macready wrote:Now I feel very old for describing the era I grew up in as "period".)
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