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The UK's Leading fantasy & horror film festival.
The Empire Cinema, Leicester Square, London 27th to 31st August 2009
It's so good it's scary - The Guardian
The premiere event of the year for horror fans - Time Out
Directed by Michael J. Bassett. Starring James Purefoy, Max von Sydow, Pete Postlethwaite, Rachel Hurd-Wood, Alice Krige and Mackenzie Crook. Action- Adventure - Fantasy UK/Fr/Cz, 104 minutes.
Fans of 80s sword and sorcery are going to love director Michael J. Bassett’s well-appointed, if rather old-fashioned, action fantasy epic. Just not so sure those long fascinated by the 16th century adventures of Robert E. Howard’s pulp fiction Puritan crusader hero are. For the SOLOMON KANE character, whose exploits appeared mainly in the ‘Weird Tales’ magazine from 1928 onwards, simply appeared to wander the world vanquishing evil in whatever local cultural shape it took. Nothing more and certainly nothing less. But in the current comic book-to-movie trend the ‘Conan the Barbarian’ author’s lesser-known ‘somber and gloomy man of pale face and cold eyes’ has to come with an origin story detailing the whys and wherefores of his supernatural bad-guy trashing ways. While writer Bassett does thankfully deal with this deemed commercial necessity reasonably well and bases it sort-of on the very first published story ‘Red Shadows’, it still owes more to sloppy LORD OF THE RINGS seconds than anything intrinsically Howard. Wantonly brutal Solomon (James Purefoy), first seen raping and pillaging his way into a Spanish castle where his pirate band is sucked into mirrors by Satan’s emissaries, is about to be welcomed by another demonic entity to hell. Escaping in the nick of time a change in his ways is the clear path to eluding eternal damnation. But after a year praying for salvation in an English monastery, the priests ask him to leave to fulfill God’s destiny. And that turning point proves to be finding Meredith (Rachel Hurd-Wood), the kidnapped daughter of the Crowthorn family who nurse him back to health when thieves leave him for dead in the forest. It’s a quest that takes him home to his aristocratic birthplace, a vengeful hideously scarred brother (Jason Flemyng), an incarcerated father (Max Von Sydow) and the fiendish powers relentlessly trying to sabotage his road to redemption. The story may be an obvious A to B to C affair. But decked out with terrific Czech locations, Klaus Badelt’s rousing score, nifty visual effects (not the final CGI monster which just stands there doing nothing except look good in trailers), keen Biblical imagery (the best scene being Solomon’s crucifixion epiphany) and solid supporting acting (by Pete Postlethwaite, Alice Krige, Mackenzie Crook) much can be forgiven. Purefoy in his black slouch WITCHFINDER GENERAL hat (Michael Reeves’ classic witchcraft horror another clear overall inspiration) oddly conjures up the masked role in V FOR VENDETTA he didn’t complete. But he’s absolutely perfect as the West Country accented and morally driven swashbuckler. SOLOMON KANE marks another leap in director Bassett’s capabilities after DEATHWATCH and WILDERNESS and it will be interesting to see where his career takes him now he’s proved he can handle a budget-savvy epic.
Alan Jones
© London FrightFest Ltd. 2000-2009
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SOLOMON KANE - 2009
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5 STAR FAB - 1 STAR RUBBISH
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